The Body Electric_At Yerba Buena Art Center, San Francisco, CA
Sep
7
to Nov 8

The Body Electric_At Yerba Buena Art Center, San Francisco, CA

In an age dominated by digital technology, The Body Electric explores themes of the real and virtual, the organic and artificial, moving from the physical world to the screen and back again. Today, computer and phone screens are fast becoming the primary places of encountering new information, effectively blurring the boundary between three-dimensional space and the two-dimensional image. The exhibition presents work by an international and intergenerational group of artists who examine ways that photographic, televisual, and digital media change our perceptions of the human body and everyday life.

With pieces ranging from the 1960s to today, The Body Electric brings together artists such as Trisha Baga, Nam June Paik, and Shigeko Kubota, whose work across performance, sculpture, and moving image conflates the physical world and its life on screen. For some artists, including Martine Syms, Andrea Crespo, and Lynn Hershman Leeson, the lens of the camera creates a space to rethink the representation of sociopolitical identities and to question the structures that govern our understanding of race, gender, and sexuality. For others, such as Mark Leckey, Pierre Huyghe, and Bruce Nauman, technology offers opportunities to consider the malleable, fragmented, and impossible body.

Charting the embrace and manipulation of technology across varying generations, The Body Electric examines how the screen has increasingly shifted ways that we picture ourselves and understand our place in the world.

Contains mature content.

Artists in the Exhibition
Laurie Anderson, Ed Atkins, Trisha Baga, Dara Birnbaum, Zach Blas, James Byrne, Peter Campus, Petra Cortright, Andrea Crespo, Zackary Drucker, Rhys Ernst, VALIE EXPORT, Simone Forti, Robert Gober, Aneta Grzeszykowska, Lynn Hershman Leeson, Pierre Huyghe, Juliana Huxtable, Sanja Iveković, Joan Jonas, Josh Kline, Shigeko Kubota, Carolyn Lazard, Candice Lin & Patrick Staff, Sidsel Meineche Hansen, Helen Marten, Ana Mendieta, Charlotte Moorman, Paul Mpagi Sepuya, Bruce Nauman, Nam June Paik, Letícia Parente, Sondra Perry, Howardena Pindell, Ulrike Rosenbach, Cindy Sherman, Lorna Simpson, Marianna Simnett, Martine Syms, Ryan Trecartin, Amalia Ulman, Wolf Vostell, the Wooster Group, Anicka Yi

View Event →

The Body Electric
Mar
30
to Jul 22

The Body Electric

walkerart.png

In an age dominated by digital technology, The Body Electric explores themes of the real and virtual, the organic and artificial, moving from the physical world to the screen and back again. Today, computer and phone screens are fast becoming the primary places of encountering new information, effectively blurring the boundary between three-dimensional space and the two-dimensional image. The exhibition presents work by an international and intergenerational group of artists who examine ways that photographic, televisual, and digital media change our perceptions of the human body and everyday life.

With pieces ranging from the 1960s to today, The Body Electric brings together artists such as Trisha Baga, Nam June Paik, and Shigeko Kubota, whose work across performance, sculpture, and moving image conflates the physical world and its life on screen. For some artists, including Martine Syms, Andrea Crespo, and Lynn Hershman Leeson, the lens of the camera creates a space to rethink the representation of sociopolitical identities and to question the structures that govern our understanding of race, gender, and sexuality. For others, such as Mark Leckey, Pierre Huyghe, and Bruce Nauman, technology offers opportunities to consider the malleable, fragmented, and impossible body.

Charting the embrace and manipulation of technology across varying generations, The Body Electric examines how the screen has increasingly shifted ways that we picture ourselves and understand our place in the world.

Contains mature content.

Artists in the Exhibition
Laurie Anderson, Ed Atkins, Trisha Baga, Dara Birnbaum, Zach Blas, James Byrne, Peter Campus, Petra Cortright, Andrea Crespo, Zackary Drucker, Rhys Ernst, VALIE EXPORT, Simone Forti, Robert Gober, Aneta Grzeszykowska, Lynn Hershman Leeson, Pierre Huyghe, Juliana Huxtable, Sanja Iveković, Joan Jonas, Josh Kline, Shigeko Kubota, Carolyn Lazard, Candice Lin & Patrick Staff, Sidsel Meineche Hansen, Helen Marten, Ana Mendieta, Charlotte Moorman, Paul Mpagi Sepuya, Bruce Nauman, Nam June Paik, Letícia Parente, Sondra Perry, Howardena Pindell, Ulrike Rosenbach, Cindy Sherman, Lorna Simpson, Marianna Simnett, Martine Syms, Ryan Trecartin, Amalia Ulman, Wolf Vostell, the Wooster Group, Anicka Yi

Curators: Pavel Pyś with Jadine Collingwood

View Event →
Sculpture Center Presents - Before Projection: Video Sculpture 1974-1975 (Exhibit Extension)
Sep
17
to Dec 17

Sculpture Center Presents - Before Projection: Video Sculpture 1974-1975 (Exhibit Extension)

Before Projection: Video Sculpture 1974-1995 is organized by Henriette Huldisch, Director of Exhibitions and Curator, MIT List Visual Arts Center. The presentation at SculptureCenter is organized by SculptureCenter Executive Director and Chief Curator Mary Ceruti. The exhibition is accompanied by a fully illustrated catalogue edited by Henriette Huldisch with additional contributions by Edith Decker-Phillips and Emily Watlington, published by Hirmer Verlag in association with the MIT List Visual Arts Center.

From video art's beginnings, artists engaged with the sculptural properties of the television set, as well as the possibilities afforded by juxtaposing multiple moving images. Artists assembled monitors in multiple configurations and video walls, and from the 1980s onward incorporated TV sets into elaborate environments and architectural settings. In concert with technological advances, video editing and effects also grew more sophisticated. These video works articulated a range of conceptual and thematic concerns related to the television medium, the still and moving image, seriality, figuration, landscape, and identity. The material heft of the cube monitor (before the advent of the flat-screen) anchored these works firmly in three-dimensional space. Before Projection focuses on the period after very early experimentation in video and before video art's full arrival—coinciding with the wide availability of video projection equipment—in galleries and museums alongside painting and sculpture. 

View Event →
A Colossal World: Japanese Artists & New York, 1950's - Present
Mar
6
to Apr 14

A Colossal World: Japanese Artists & New York, 1950's - Present

WhiteBox is excited to present “A Colossal World: Japanese Artists and New York, 1950s – Present,” a group exhibition curated by Kyoko Sato. Spanning the entirety of WhiteBox’s two-leveled exhibition space, the show features the video, sculpture, murals, installation, and two-dimensional media works by over 50 Japanese artists who emigrated to New York during the formative stages of their careers.

“A Colossal World” investigates the reciprocal channels of influence established between multiple generations of Japanese artists and the city of New York. While these artists absorbed elements of New York’s culture into new artworks, they also impacted and enriched New York’s culture itself. This exhibition, though not claiming to be a historical or academic in-depth study, aims to help trace the evolution of this vibrant exchange from Japan’s post-World-War-II economic boom to the present, from mid-century avant-gardes to emerging contemporary artists pushing new boundaries.

 

IMG_0870.jpg

In the wake of the Second World War, Japan’s relationship with the United States became further complicated with the U.S. occupation of Japan and the influx of American culture. At the same time, the center of the art world moved from Paris to New York. The loosening of social and economic constraints in Japan allowed the emergence of a number of remarkable artists who produced increasingly avant-garde works. Dreaming of the expanded art world available through the New York art scene, many of these Japanese artists migrated to New York. The city provided these artists new platforms for expression and provocation—for example, pioneering artists like Yoko Ono, Shigeko Kubota, and Ay-O were able to contribute further to the burgeoning Fluxus movement, and Shusaku Arakawa and Ushio Shinohara to Neo-Dada, working with and around New York figures like John Cage, Nam June Paik, Alison Knowles, Allan Kaprow, Robert Rauschenberg, and Jasper Johns. Also, growing globalization and the development of international art movements allowed artists to traverse the distance between New York and Japan and split time between the two nations, allowing them to be truly bi-cultural.

In the post-economic bubble of the 1990s, when people became disillusioned with the myth of Japanese safety in the wake of economic depression, natural disaster, and terrorism, another major wave of emigration to New York occurred. Many of these artists, including Takashi Murakami and Tomokazu Matsuyama, explored the convergences between art and popular culture, from anime-inspired aesthetics to collaborations with major fashion labels. In the uncertain years since the recession of 2008, emerging Japanese artists have continued to emigrate to New York, reflecting today’s globalized culture and securing an ongoing legacy of artistic exchange.

Throughout the exhibition, visitors will see the particular ways in which Japanese artists have contributed to the betterment of New York City’s cultural landscape—from mid-century avant-gardes to emerging contemporary artists pushing new boundaries. The exhibition will not be chronological, but will juxtapose works from different periods to show various themes and threads of influence. The intent is to consider artworks as living documents alongside extensive documentation, always being reinterpreted through the present moment.

“A Colossal World” features works by AIKO, Noriko Ambe, Ei Arakawa, Shusaku Arakawa, Ay-O, Eiko & Koma, Makoto Fujimura, Tom Haar, Toru Hayashi, Noritoshi Hirakawa, Ken Hiratsuka, Yasuo Ihara,Takahiko Iimura, Gen’ichiro Inokuma, KAORUKO, Emiko Kasahara, On Kawara, Takeshi Kawashima, Kenji Kojima, Miwa Komatsu, Tatsuo Kondo, Shigeko Kubota, Yasuo Kuniyoshi, Yayoi Kusama, Sebastian Masuda, Tomokazu Matsuyama, Takashi Murakami, Nobuho Nagasawa, Rakuko Naito, Naoto Nakagawa, Toshiko Nishikawa, Masaaki Noda, Oscar Oiwa, Kenzo Okada, Yoko Ono, Takako Saito, Masaaki Sato, Hiroshi Senju, Noriko Shinohara, Ushio Shinohara, Mieko Shiomi, Hiroshi Sugimoto, Kunié Sugiura, Mayumi Terada, Yuken Teruya, thousand pictures, Yasunao Tone, Momoyo Torimitsu, Toyo Tsuchiya, Motoko Wada, Yoshimasa Wada, Yukinori Yanagi, Yoichiro Yoda, Minoru Yoshida.

View Event →
Before Projection: Video Sculpture 1974-1995
Feb
7
to Apr 13

Before Projection: Video Sculpture 1974-1995

  • MIT List Visual Arts Center (map)
  • Google Calendar ICS

Before Projection: Video Sculpture 1974-1995 shines a spotlight on a historical moment and a body of work in the history of media art that has been largely overlooked since its inception.  The exhibition explores the connections between our current moment and the point at which video art was transformed dramatically with the entry of large-scale, cinematic installation into the gallery space. This exhibition will present a re-evaluation of monitor-based sculpture since the 1970’s and serve as a tightly focused survey of works that have been rarely seen in the last twenty years. Artists in the exhibition include Dara Birnbaum, Takahiko Iimura, Shigeko Kubota, Mary Lucier, Muntadas, Nam June Paik, Tony Oursler, Diana Thater, Maria Vedder, and others

View Event →